10 Videos, 51 minutes No Music Download
Note:- Both the choreography and the music are under copyright. This music can only be used with this choreography. Subscribers are not allowed to alter the music or the choreography or use it in any other format or part of any other production.
1
Ganapathe Maam Paalaya (Ganapathi Sthuti)
00:03:03
2
Paalaya Paapa Hare (Saraswathy Sthuti)
00:02:45
3
Nanda Nandanan Govindan (Thiruvathira)
00:13:08
4
Mathi Maya Kasyapano (Kummi)
00:06:01
5
Jaya Jaya Karivadana (Ganapathi Sthuti)
00:03:42
6
Sindu Varame Kunda Jalame (Thiruvathira)
00:08:02
7
Pachakkallotha Thirumeniyum (Kummi)
00:04:21
8
Aluva Thevare (Vanchi pattu)
00:03:31
9
Vellappudava Uduthum Kondu (Kurathi pattu)
00:03:33
10
Mangalam
00:03:35
आयुर्वेदस्य चिकित्साः व्यक्तेः समग्रस्वास्थ्योपरि प्रभावयन्ति तथा पञ्चकर्म, अथवा ‘पञ्चकर्माणि’ आतुरान्स्वस्थात्मकान् कर्तुं तुल्य-चलनात्मकं व्यूहं सूचयति।पञ्चकर्मणि नस्यं (नासिका चिकित्सा), वमनं (औषध-प्रेरितं वमनं),विरेचनं (शुद्धीकरणं), वस्ति (एनेमा चिकित्सा),रक्तमोक्षणश्च (रक्त-प्रसरणम्)
Аюрведическое лечение направлено на целостное здоровье человека, и панчакарма или «пять действий» представляет стабильную стратегию для омоложения пациентов.
Los tratamientos ayurvédicos se centran en la salud integral de la persona y el Panchakarma, o las "Cinco acciones", representa una estrategia equilibrada para revitalizar a los pacientes.
Os tratamentos ayurvédicos concentram-se na saúde holística do indivíduo e do Panchakarma, ou as "Cinco Ações", representam uma estratégia equilibrada para revitalizar os pacientes. O Panchakarma inclui Nasyam (terapia nasal), Vamanam (vómito induzido por medicamentos), Virechanam (purificação), Vasti (enema terapêutico) e raktamokshana (derramamento de sangue).
アーユルベーダ治療では、個人の全体的な健康状態に焦点を当て、とパンチャカルマつまり「 5 つの行動」、患者を活性化するための均等な戦略を表しています。パンチャカルマには、ナシヤム(鼻療法)、ヴァマナム(薬物誘発嘔吐)、ヴィレチャナム(パージ)、ヴァスティ(治療浣腸)、ラクタモクシャナ(血を流す)が含まれます。
I trattamenti ayurvedici si concentrano sulla salute olistica dell'individuo e il Panchakarma, ovvero "Cinque azioni", rappresenta una strategia equilibrata per rivitalizzare i pazienti. Il Panchakarma include Nasyam (terapia nasale), Vamanam (vomito indotto da farmaci), Virechanam (purificazione), Vasti (clistere terapeutico) e raktamokshana (salasso).
تركزعلاجاتالأيورفيداعلىالصحةالشاملةللفرد،وتمثلالبانشاكارما،أو "الإجراءاتالخمسة"،استراتيجيةمتوازنةلتنشيطالمرضى.بانشاكارماوتشملنسيام (علاجالأنف)،وفامانام ( علاجالقيءالناجمعنالمخدرات)،وفيريتشانام (التطهير) ،وفاستي (حقنةشرجيةعلاجية)،وراكتاموكشانا ( تنقيةالدم). وهيتزيلالشوائبالجسديةوتنشطجهازالمناعةبطريقةعضويةبالكامل.
Ayurvedische Behandlungen konzentrieren sich auf die ganzheitliche Gesundheit des Individuums und Panchakarma, oder die „Fünf Handlungen“, stellt eine gleichmäßige Strategie zur Revitalisierung der Patienten dar. Panchakarma umfasst Nasyam (Nasentherapie), Vamanam (medikamentös induziertes Erbrechen), Virechanam (Entschlackung), Vasti (therapeutischer Einlauf) und Raktamokshana (Aderlass).
Le panchakarma est une méthode de traitement de l'Ayurveda: Le système indien de médecine par les plantes. Ce titre présente 27 programmes thérapeutiques, rajeunissants, et préventifs de l'Ayurveda.
इस में पंचकर्म के लगभग सत्ताईस उपाय जैसे कि-मालिश, धारा स्वेद प्रक्रिया, तैल धारा, वस्ति, नस्य आदि अन्तर्निहित है । आयुर्वेद या पंचकर्म, जिसके द्वारा शरीर के विषैले तत्वों के निर्मलीकरण के साथ - साथ सम्पूर्ण शरीर तंत्र को नई चेतना मिलती है ।
ആയുര്‍വേദത്തിന്റെ കാതലായ പഞ്ചകര്‍മ്മ ചികിത്സാ വിധികളെ വളരെ വിശദമായി പ്രതിപാദിക്കുന്ന വീഡിയോകളാണ് ഇതിലുള്ളത്. പഞ്ചകര്‍മ്മമെന്നാല്‍ അഞ്ചു കര്‍മ്മങ്ങള്‍. നസ്യം, വമനം, വിരേചനം, പിന്നെ രണ്ട് വിധത്തിലുള്ള വസ്തികള്‍ - നിരൂഹ വസ്തിയും സ്‌നേഹ വസ്തിയും എന്നിവയാണവ. ഇതില്‍ നിരൂഹ വസ്തി ചികിത്സ കഷായം ഉപയോഗിച്ചുള്ളതും സ്‌നേഹവസ്തി തൈലം കൊണ്ടുള്ളതുമാണ്.
Panchakarma is the treatment method of Ayurveda, The Indian system of Herbal Medicine. This title presents 27 therapeutic Rejuvinative and Preventive Programmes of Ayurveda.
Mizhavu is a big copper drum, played only with palms of the hand. It is the main percussion instrument used in Kutiyattam, the 2000-year-old living Sanskrit, classical, dance theatre of Kerala.
Melam, the video, depicts a rare ensemble of Mizhavu with two other percussion instruments viz. Thimila and Edakka used in Kerala. Mizhavu is an integral part of Koothu and Kutiyattam,Both Thimila and Edakka are part of Panchavadyam, the traditional orchestra of Kerala.
Listen to the eight magnificent Baul compositions performed by the renowned artist Parvathy Baul. Baul songs are noted for its poetic wisdom and soulful rendering.
വാസ്‌തുവിദ്യാ വിസ്‌മയമായ ശ്രീ പത്മനാഭ സ്വാമി ക്ഷേത്രത്തിന്റെ സവിശേഷതകള്‍ പരിചയപ്പെടുത്തുന്ന വീഡിയോ സീരിസ്‌. ഇതില്‍ ക്ഷേത്ര നിര്‍മ്മിതിയ്‌ക്കൊപ്പം പ്രധാന ഉത്സവങ്ങളും ആചാരമുറകളും ഉള്‍പ്പെടുത്തിയിരിക്കുന്നു.
Street magic is something that has held generations of Indians in awe. Enchanting Illusions, video on the traditional street magic of India offers you a lucid insight into this enigmatic world.
Come, see India at its cultural, historical and natural best! Enjoy India in its variant colours, across magnificent sweeps of time and space.
Sree Padmanabha Swamy Temple is famous as the world’s wealthiest temple, but its grandeur surpasses mere wealth. This video series takes you for an exclusive ride through the history, festivals, equinox and popular Lakshadeepam celebrations.
Thiruvathirakali is a joyous ritualistic dance performed by women in Kerala. This unique program includes a compilation of ten Thiruvathirakali performances.
Sujata Mohapatra gives an overview of Odissi Beginners Lessons. It contains decades of knowledge imparted by her mentor, Padma Vibhushan Guru Kelucharan Mohapatra.
Smitha Rajan takes us on a mystical journey in this Mohiniyattam performance. Composed by her legendary grandmother, Kalamandalam Kalyanikutty Amma, this padam Kanden Shyamala traces the bliss of encountering a divine being.
This Kathak online class by Guru Pali Chandra introduces a new Thumri Dagar Chalat, originally written by the legendary Guru Bindadin Maharaj of the Lucknow Gharana. Thumri's individual components - Shabdarth, Vyakhyarth, Sthayi bhav and Sanchari bhav are explained in detail.
Bharatanatyam teachings and perfromance by Rama Vaidyanathan. Each part of Thiruvempavai is individually introduced, beginning with detailed explanations and teachings by the Rama Vaidyanathan. These are followed by demonstrations from the Guru and a complete performance at the end.
This class represents the second stage in the online Kathak series offered Guru Pali Chandra. This is a continuation of the beginner’s Kathak course available on NatyaSutraOnline.
Dr Deepti Omchery Bhalla presents a new lecture series dedicated to Lord Ganesha in his child form. The popular ‘Bala Ganapathy’ of the Indian pantheon is majestically rendered in this work titled as ‘Paithal Ganapathy’.
Learn Bharatanatyam composition Bhogeendra Sayinam, a tribute to Lord Vishnu, seated atop the serpent Anantha or Adi Sesha. This Swati Tirunal Kriti was choreographed, presented and demonstrated by Dr. Rajashree Warrier
गुरु पाली चंद्रा के मार्गदर्शन से जाने कथक को ऑनलाइन। अत्याधुनिक विकल्पों तथा नवीनतम तकनीकों से रचना की गई है इस ऑनलाइन कार्यक्रम को जो कथक की नृत्य शैली को सीखने और जानने की प्रबल इच्छा रखते हैं।
Rama Vaidyanathan takes us on a special Bharatanatyam journey through the dual roles of Lord Krishna on Earth. On one hand, we are protected by his divine aura, while on the other, he is a relatable cowherd.
This Bharatanatyam DanceLessons by Rama Vaidyanathan is subdivided into nine sections. Each part of Madhura ashtakam is individually introduced, beginning with detailed explanations by the teacher. Every word of the original verse is carefully explained. These are followed by demonstrations from the Guru and a complete performance.
Cholkettu, the invocation rituals in mohiniyattam presented by Smitha Rajan. This carnatic composition pays homage to Sri Parvathi-Parameshwara and Devi Saraswathi. The learning of the Cholkettu represents a crucial epoch in a dancer's journey
‘Aliveni Enthu Cheyvu’ is a very popular composition of Swathi Thirunal Maharaja. The course contains 22 video and Dr. Neena Prasad elaborately explains, through the help of her student, the subtle expressions behind the lyrics of the poem.
Revisit the Navarasas, Nine Emotions that drive our day-to-day lives. Guru Rajashree Warrier’s original Bharatnatyam composition delves into the secrets of the human psyche. The ‘Navarasa Kauthwam’ is a dancer's exploration of the factors that influence every human's journey on Earth. The entire composition, with detailed lessons and a downloadable track, is exclusively available at NatyaSutraOnline.
These classes are for absolute beginners to Kathak. Guru Pali Chandra aims at establishing the foundation among her disciples, and nudge them onto the path of becoming a full-fledged Kathak dancer.
Sringara Lehari is a South Indian Classical Keerthana choreographed by Rama Vaidyanathan. Learn this Bharatanatyam Composition, dance tribute to Devi, specifically Goddess Saraswati.
Poothana Moksham Kathakali Master Class by Shri Margi Vijayakumar. It showcases the attainment of moksha or liberation of Poothana, a demoness sent to slay Lord Krishna.
Dr. Neena Prasad's teachings commence with an overview of the Swarajathi, elaborating upon its various facets. The Guru then teaches the students the Ananda Bhairavi Swarajathi, individual components of each part, and elaborates on the performance's technical aspects. This class simplifies the teaching process for learners by providing a complete version of the composition and student demonstrations for better understanding.
Learn bharatanatyam composition by Rama Vaidyanathan set in Kalyani Raga and Adi tala, Saddu Madalu Bedavo Rangayya.... This padam focuses on an interaction between a gopika and Lord Krishna. The former requests the divine being to stop playing his flute at middle of the night and not to invite trouble by waking others.
Sri Sakala Ganadhipa Palaya Mam Anisham is a beautiful composition Choreographed by Sreelakshmy Govardhanan and composed by Dr. M. Balamuralikrishna. Set in Adi Tala, Arabhi Raga, each part of this composition is well explained by the teacher, and also it includes student demonstrations for better understanding.
Rama Vaidyanathan explores the duality of Lord Shiva and Goddess Parvati, with a Bharatanatyam composition on their legendary form, the Ardhanareeswara.
Dr. Neena Prasad offers detailed analysis, demonstration, and advice on how students must appropriately approach Revati Raga in this Mohiniyattam Thillana. Demonstrations followed by lectures and explanations are the format followed in this course. The different movements of the dancer in the Thillana, the adavus, korvais, and mudras, are carefully explained.
Sreelakshmy Govardhanan introduces the viewer to her journey in Kuchipudi. She received these under the tutelage of the legendary Guru Pasumarthy Rattaiah Sarma.
Pushpanjali is a divine offering of flowers that is a mark of respect to the Gods, one's teachers and those who are witnessing the recital. Alarippu is a reference to the flowering bud, which utilizes every part of the artist's body. Rama Vaidyanathan guides us through its intricacies.
The effect of the spring season on humans, Nature and divine beings were described in the Lalitha Lavanga (Viharathi Haririha), the 3rd prabandh of Jayadeva’s Gita Govinda in Kathak. Through Explanations, Interpretations, Teaching and Performance, Pali Chandra shows a range of choreographic moves inspired by her reading of Natyashastra and Abhinaya Darpana.
Learn Tamil Padam Aduvum Solluvaal demonstrated by Dr.Rajashree Warrier, set in Raga Sourashtram. This is a creation of Vaideeswarankoil Subbarama Iyer and is among his most famous works.
It is an ode to Goddess Lalithambika. This keerthana is performed by Smitha Rajan, the granddaughter of Kalamandalam Kalyanikutty Amma.
The Yennadaina Bharatanatyam composition by Rama Vaidyanathan is a tale of an exasperated heroine at the end of her wits. Our fearless protagonist stands up to the object of her adoration, Lord Krishna, as she yearns to be the sole object of his attention.
Bharatanatyam exponent Smt. Rama Vaidyanathan presents an exclusive lecture series that focuses on a Thillana, originally attributed to legendary Carnatic violinist Padma Bhushan Lalgudi Jayaraman. Available only on natysutra online.
Guru Dr Pali Chandra pays homage to Radha’s depiction of Lord Krishna’s mesmerising form in the Sancharad Adhara (Rase Harimiha), the 5th prabandh of Jayadeva’s Gita Govinda in Kathak. Through Explanations, Interpretations, Teaching and Performance, she shows a range of choreographic moves inspired by her reading of Natyasastra and Abhinaya Darpana.
Om Jayanti Mangala Kali is a special prayer in honor of Goddess Durga. Guru Pali Chandra presents the fortifying power of the Goddess, an amalgamation designed by a host of divine beings.
Let us bring to life the eternal bond between Lord Krishna and Radha through an age old classic Kanha Main Tose Haari... Learn the storytelling techniques, performance-related pointers and the nuances of this choreography using three arms of Kathak - Kavit, Thumri and Gat-bhav.
Rama Vaidyanathan explores the omnipresence of Lord Shiva in this Bharatanatyam composition. His guidance, strength, and perseverance are integral to his believers.
Sundara Shyama Sundara Bala Leela, a Surdas Padh choreographed, demonstrated and performed by Padmashri Geeta Chandran. Learn this rendition of devotion to Lord Krishna through Bharatanatyam dance techniques.
Mohniyattam artiste Guru Smitha Rajan guides the students through the concept and central theme of the Suma Sayaka Varnam, individual components of each part, and elaborates on the performance's technical aspects. This class also contains a complete performance and msuic/ audio download of the composition.
Guru Dr Pali Chandra shows how the varied moods and madness of Radha in the 12th prabandh, song Pashyati Dishi Dishi (Natha Hare Jagannatha Hare), of Jayadeva’s Gita Govinda can be presented in Kathak. Through Explanations, Interpretations, Teaching and Performance, she shows a range of choreographic moves, inspired by her reading of Natyasastra and Abhinaya Darpana, and also suggests improvisations .
Learn Payalia Tarana Online, a Kathak Composition by Guru Pali Chandra. This composition, Payaliya Jhankar Mori is a combination of Hindu and Persian cultures. A thumri is introduced at the beginning of this Tarana.
Rama Vaidyanathan introduces us to the despair of a lover in this Bharatanatyam composition. Our heroine involves the birds in the sky, and this piece focusses on her lamentations to them over her treatment by her divine lover.
Dr. Rajashree Warrier focuses on how a student must interpret and elaborate the teachings of Abhinaya Darpana . The student witnesses hand movements, gestures, esoteric techniques, expressions, placement, and detailed revision of every essential Bharatanatyam skill required to excel in this field.
Learn Begum Akhtar's famous Ghazal Woh Jo Hum Mein Tum Mein Qarar Tha. Kathak maestro Guru Dr Pali Chandra guides students through the various layers of this composition, exploring Begum’s nuanced take on love that is mature enough to accept not being acknowledged.
Thillana represents the firth item of a Mohiniyattam performance. This is an original composition of Kalamandalam Kalyanikutty Amma and this dance video tutorial has been shortened by Smitha Rajan
These are brief profiles of the Gurus who form the bedrock of NatyaSutraOnline. Their journeys and passion are a lighthouse, eternally illuminating a path towards the revival of Indian art forms.
Bharatanatyam
Kathak
Kuchipudi
Kathakali
Mohiniyattam
Odissi
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