42 Videos, 06 hours 56 minutes No Music Download
Note:- Both the choreography and the music are under copyright. This music can only be used with this choreography. Subscribers are not allowed to alter the music or the choreography or use it in any other format or part of any other production.
1
Introduction
00:04:14
2
Section 1 Pallavi Explanation
00:06:33
3
Section 1 Pallavi Cholliyattam
00:09:33
4
Section 1 Pallavi Performance
00:06:49
5
Section 2 Anupallavi Explanation
00:08:26
6
Section 2 Anupallavi Cholliyattam
00:14:30
7
Section 2 Anupallavi Performance
00:07:12
8
Section 3 Charanam 1 Explanation
00:09:55
9
Section 3 Charanam 1 Cholliyattam
00:29:30
10
Section 3 Charanam 1 Performance
00:14:41
11
Section 4 Charanam 2 Explanation
00:09:10
12
Section 4 Charanam 2 Cholliyattam
00:24:23
13
Section 4 Charanam 2 Performance
00:12:17
14
Section 5 Pallavi Explanation
00:06:31
15
Section 5 Pallavi Cholliyatttam
00:09:30
16
Section 5 Pallavi Performance
00:04:52
17
Section 6 Charanam 1 Explanation
00:04:26
18
Section 6 Charanam 1 Cholliyattam
00:07:17
19
Section 6 Charanam 1 Performance
00:03:45
20
Section 7 Charanam 2 Explanation
00:05:01
21
Section 7 Charanam 2 Cholliyattam
00:06:03
22
Section 7 Charanam 2 Performance
00:03:08
23
Section 8 Charanam 3 Explanation
00:03:17
24
Section 8 Charanam 3 Cholliyattam
00:05:53
25
Section 8 Charanam 3 Performance
00:03:00
26
Section 9 Ilakiyattam 1 Explanation
00:03:05
27
Section 9 Ilakaiyattam 1 Cholliyattam
00:04:56
28
Section 9 Ilakiyattam 1 Performance
00:02:32
29
Section 10 Ilakaiyattam 2 Explanation
00:02:14
30
Section 10 Ilakiyattam 2 Cholliyattam
00:07:05
31
Section 10 Ilakiyattam 2 Performance
00:03:41
32
Section 11 Ilakiyattam 3 Explanation
00:02:04
33
Section 11 Ilakiyattam 3 Cholliyattam
00:10:05
34
Section 11 Ilakiyattam 3 Performance
35
Section 12 Ilakiyattam 4 Explanation
00:02:57
36
Conclusion
00:02:46
37
Section 12 Ilakiyattam 4 Cholliyattam
00:18:08
38
Section 12 Ilakaiyattam 4 Performance
00:09:11
39
Section 13 Ilakiyattam 5 Explanation
00:03:40
40
Section 13 Ilakiyattam 5 Cholliyattam
00:23:33
41
Section 13 Ilakiyattam 5 Performance
00:11:52
42
Full Performance
01:24:12
This Kathakali play with English subtitles is on the second day of Nalacharitham Attakatha by Unnayi Warrier which include the Choothukali (Game of Dice), Verpadu (Separation) and Damayanthiyum Kattalanum (Damayanthi and Forest Dweller). Presented by Padmashree Kalamandalam Gopi, Margi Vijayakumar and Kalamandalam Balasubrahmaniyan.
Rugmangada Charitham Kathakali , the role of Rugmangadan is enacted by the eminent Kathakali artist Padmashree Kalamandalam Gopi.
Learn Bharatanatyam composition Bhogeendra Sayinam, a tribute to Lord Vishnu, seated atop the serpent Anantha or Adi Sesha. This Swati Tirunal Kriti was choreographed, presented and demonstrated by Dr. Rajashree Warrier
Rama Vaidyanathan explores the omnipresence of Lord Shiva in this Bharatanatyam composition. His guidance, strength, and perseverance are integral to his believers.
Guru Dr Pali Chandra shows how the varied moods and madness of Radha in the 12th prabandh, song Pashyati Dishi Dishi (Natha Hare Jagannatha Hare), of Jayadeva’s Gita Govinda can be presented in Kathak. Through Explanations, Interpretations, Teaching and Performance, she shows a range of choreographic moves, inspired by her reading of Natyasastra and Abhinaya Darpana, and also suggests improvisations .
Vahathi Malaya Sameere (Thava Virahe Vanamali), focuses on Lord Krishna's lamentation over the pain of separation from Radha. portrays Krishna's distress amidst the usually comforting elements of nature. Guru Pali Chandra skillfully brings this timeless composition to a modern audience while balancing Jayadeva's Vrindavan with contemporary nuances.
Bharatanatyam exponent Smt. Rama Vaidyanathan presents an exclusive lecture series that focuses on a Thillana, originally attributed to legendary Carnatic violinist Padma Bhushan Lalgudi Jayaraman. Available only on natysutra online.
This class represents the second stage in the online Kathak series offered Guru Pali Chandra. This is a continuation of the beginner’s Kathak course available on NatyaSutraOnline.
Learn Tamil Padam Aduvum Solluvaal demonstrated by Dr.Rajashree Warrier, set in Raga Sourashtram. This is a creation of Vaideeswarankoil Subbarama Iyer and is among his most famous works.
This Kathak online class by Guru Pali Chandra introduces a new Thumri Dagar Chalat, originally written by the legendary Guru Bindadin Maharaj of the Lucknow Gharana. Thumri's individual components - Shabdarth, Vyakhyarth, Sthayi bhav and Sanchari bhav are explained in detail.
Rama Vaidyanathan introduces us to the despair of a lover in this Bharatanatyam composition. Our heroine involves the birds in the sky, and this piece focusses on her lamentations to them over her treatment by her divine lover.
Let us bring to life the eternal bond between Lord Krishna and Radha through an age old classic Kanha Main Tose Haari... Learn the storytelling techniques, performance-related pointers and the nuances of this choreography using three arms of Kathak - Kavit, Thumri and Gat-bhav.
Cholkettu, the invocation rituals in mohiniyattam presented by Smitha Rajan. This carnatic composition pays homage to Sri Parvathi-Parameshwara and Devi Saraswathi. The learning of the Cholkettu represents a crucial epoch in a dancer's journey
Dr. Neena Prasad offers detailed analysis, demonstration, and advice on how students must appropriately approach Revati Raga in this Mohiniyattam Thillana. Demonstrations followed by lectures and explanations are the format followed in this course. The different movements of the dancer in the Thillana, the adavus, korvais, and mudras, are carefully explained.
Learn bharatanatyam composition by Rama Vaidyanathan set in Kalyani Raga and Adi tala, Saddu Madalu Bedavo Rangayya.... This padam focuses on an interaction between a gopika and Lord Krishna. The former requests the divine being to stop playing his flute at middle of the night and not to invite trouble by waking others.
Rama Vaidyanathan explores the duality of Lord Shiva and Goddess Parvati, with a Bharatanatyam composition on their legendary form, the Ardhanareeswara.
These classes are for absolute beginners to Kathak. Guru Pali Chandra aims at establishing the foundation among her disciples, and nudge them onto the path of becoming a full-fledged Kathak dancer.
Dr. Neena Prasad's teachings commence with an overview of the Swarajathi, elaborating upon its various facets. The Guru then teaches the students the Ananda Bhairavi Swarajathi, individual components of each part, and elaborates on the performance's technical aspects. This class simplifies the teaching process for learners by providing a complete version of the composition and student demonstrations for better understanding.
Thillana represents the firth item of a Mohiniyattam performance. This is an original composition of Kalamandalam Kalyanikutty Amma and this dance video tutorial has been shortened by Smitha Rajan
Sreelakshmy Govardhanan introduces the viewer to her journey in Kuchipudi. She received these under the tutelage of the legendary Guru Pasumarthy Rattaiah Sarma.
Rama Vaidyanathan takes us on a special Bharatanatyam journey through the dual roles of Lord Krishna on Earth. On one hand, we are protected by his divine aura, while on the other, he is a relatable cowherd.
Sri Sakala Ganadhipa Palaya Mam Anisham is a beautiful composition Choreographed by Sreelakshmy Govardhanan and composed by Dr. M. Balamuralikrishna. Set in Adi Tala, Arabhi Raga, each part of this composition is well explained by the teacher, and also it includes student demonstrations for better understanding.
Smitha Rajan takes us on a mystical journey in this Mohiniyattam performance. Composed by her legendary grandmother, Kalamandalam Kalyanikutty Amma, this padam Kanden Shyamala traces the bliss of encountering a divine being.
Pushpanjali is a divine offering of flowers that is a mark of respect to the Gods, one's teachers and those who are witnessing the recital. Alarippu is a reference to the flowering bud, which utilizes every part of the artist's body. Rama Vaidyanathan guides us through its intricacies.
Om Jayanti Mangala Kali is a special prayer in honor of Goddess Durga. Guru Pali Chandra presents the fortifying power of the Goddess, an amalgamation designed by a host of divine beings.
Lord Krishna’s ten avatars and their effect on human and natural life explained and Demonstrated by Guru Dr. Pali Chandra. Dashavatar is the 1st prabandh of Jayadeva’s Gita Govinda, were explained through dance Interpretations, teaching and Kathak Performance. In this song, pralaya payodhi jale (Jaya Jagadeesha Hare), she shows a range of choreographic moves inspired by her reading of the Natyasastra and the Abhinaya Darpana.
Sringara Lehari is a South Indian Classical Keerthana choreographed by Rama Vaidyanathan. Learn this Bharatanatyam Composition, dance tribute to Devi, specifically Goddess Saraswati.
Learn the nuances of Javali Abhinaya in Kuchipudi by Sreelakshmy Govardhanan. Ekkadunnavu Naa Chakkani Swami, by Carnatic legend Mysore Sadashiva Rao, empowers the student to delve into this timeless piece's intricate choreography, rhythmic complexities, and dynamic storytelling. Join the course to get a deep understanding of the ethos of this dance composition.
Bharatanatyam teachings and perfromance by Rama Vaidyanathan. Each part of Thiruvempavai is individually introduced, beginning with detailed explanations and teachings by the Rama Vaidyanathan. These are followed by demonstrations from the Guru and a complete performance at the end.
Dr. Rajashree Warrier focuses on how a student must interpret and elaborate the teachings of Abhinaya Darpana . The student witnesses hand movements, gestures, esoteric techniques, expressions, placement, and detailed revision of every essential Bharatanatyam skill required to excel in this field.
Sundara Shyama Sundara Bala Leela, a Surdas Padh choreographed, demonstrated and performed by Padmashri Geeta Chandran. Learn this rendition of devotion to Lord Krishna through Bharatanatyam dance techniques.
The effect of the spring season on humans, Nature and divine beings were described in the Lalitha Lavanga (Viharathi Haririha), the 3rd prabandh of Jayadeva’s Gita Govinda in Kathak. Through Explanations, Interpretations, Teaching and Performance, Pali Chandra shows a range of choreographic moves inspired by her reading of Natyashastra and Abhinaya Darpana.
This Bharatanatyam DanceLessons by Rama Vaidyanathan is subdivided into nine sections. Each part of Madhura ashtakam is individually introduced, beginning with detailed explanations by the teacher. Every word of the original verse is carefully explained. These are followed by demonstrations from the Guru and a complete performance.
गुरु पाली चंद्रा के मार्गदर्शन से जाने कथक को ऑनलाइन। अत्याधुनिक विकल्पों तथा नवीनतम तकनीकों से रचना की गई है इस ऑनलाइन कार्यक्रम को जो कथक की नृत्य शैली को सीखने और जानने की प्रबल इच्छा रखते हैं।
Dr Deepti Omchery Bhalla presents a new lecture series dedicated to Lord Ganesha in his child form. The popular ‘Bala Ganapathy’ of the Indian pantheon is majestically rendered in this work titled as ‘Paithal Ganapathy’.
‘Aliveni Enthu Cheyvu’ is a very popular composition of Swathi Thirunal Maharaja. The course contains 22 video and Dr. Neena Prasad elaborately explains, through the help of her student, the subtle expressions behind the lyrics of the poem.
Guru Dr Pali Chandra pays homage to Radha’s depiction of Lord Krishna’s mesmerising form in the Sancharad Adhara (Rase Harimiha), the 5th prabandh of Jayadeva’s Gita Govinda in Kathak. Through Explanations, Interpretations, Teaching and Performance, she shows a range of choreographic moves inspired by her reading of Natyasastra and Abhinaya Darpana.
The Yennadaina Bharatanatyam composition by Rama Vaidyanathan is a tale of an exasperated heroine at the end of her wits. Our fearless protagonist stands up to the object of her adoration, Lord Krishna, as she yearns to be the sole object of his attention.
Mohniyattam artiste Guru Smitha Rajan guides the students through the concept and central theme of the Suma Sayaka Varnam, individual components of each part, and elaborates on the performance's technical aspects. This class also contains a complete performance and msuic/ audio download of the composition.
Learn a unique composition in the Mohiniyattam tradition, AdikeshavaNrityaPrabandham. This centuries old composition was taught, explained, demonstrated and performed by Dr DeeptiOmcheryBhalla for online students of Natyasutra. This choreography, which pays homage to Adikeshava, the principal deity of the Thiruvattar Adikeshava Perumal Temple in the Kanyakumari district, is a notable piece set to the Tukka raga and Chembada Tala.
Learn Payalia Tarana Online, a Kathak Composition by Guru Pali Chandra. This composition, Payaliya Jhankar Mori is a combination of Hindu and Persian cultures. A thumri is introduced at the beginning of this Tarana.
Sujata Mohapatra gives an overview of Odissi Beginners Lessons. It contains decades of knowledge imparted by her mentor, Padma Vibhushan Guru Kelucharan Mohapatra.
Revisit the Navarasas, Nine Emotions that drive our day-to-day lives. Guru Rajashree Warrier’s original Bharatnatyam composition delves into the secrets of the human psyche. The ‘Navarasa Kauthwam’ is a dancer's exploration of the factors that influence every human's journey on Earth. The entire composition, with detailed lessons and a downloadable track, is exclusively available at NatyaSutraOnline.
Guru Dr Pali Chandra reveals Radha being uplifted by her Sakhi before her union with Lord Krishna in Mugde Madhu Madhanam, the 20th prabandh of Jayadeva's Gita Govinda in Kathak. Through Explanations, Interpretations, Teaching and Performance, she shows a range of choreographic moves inspired by her reading of Natyasastra and Abhinaya Darpana.
It is an ode to Goddess Lalithambika. This keerthana is performed by Smitha Rajan, the granddaughter of Kalamandalam Kalyanikutty Amma.
Learn Begum Akhtar's famous Ghazal Woh Jo Hum Mein Tum Mein Qarar Tha. Kathak maestro Guru Dr Pali Chandra guides students through the various layers of this composition, exploring Begum’s nuanced take on love that is mature enough to accept not being acknowledged.
These are brief profiles of the Gurus who form the bedrock of NatyaSutraOnline. Their journeys and passion are a lighthouse, eternally illuminating a path towards the revival of Indian art forms.
Mohiniyattam
Bharatanatyam
Odissi
Kathak
Kathakali
Kuchipudi
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