1 Ratings
69 Videos, 03 hours 34 minutes 1 Music / Audio download, 19 min 34 sec
1
Introduction
00:02:35
2
Section 1 Teaching Part I
00:07:18
3
Section 1 Teaching Part II
00:12:14
4
Section 1 Footwork
00:05:48
5
Section 1 Student Demonstration
00:04:47
6
Section 1 Student Demonstration with Music
00:04:45
7
Section 1 Performance
00:04:38
8
Section 2 Explanation
00:03:42
9
Section 2 Teaching
00:06:28
10
Section 2 Footwork
00:03:27
11
Section 2 Demonstration with Music
00:01:12
12
Section 2 Performance
00:01:10
13
Section 3 Explanation
00:03:50
14
Section 3 Teaching
00:04:58
15
Section 3 Footwork
00:02:57
16
Section 3 Demnstration with Music
00:01:52
17
Section 3 Performance
00:01:42
18
Section 4 Explanation
00:04:35
19
Section 4 Teaching
00:04:42
20
Section 4 Footwork
00:01:54
21
Section 4 Demonstration with Music
00:01:15
22
Section 4 Performance
23
Section 5 Explanation
00:02:09
24
Section 5 Teaching
00:06:54
25
Section 5 Footwork
00:02:43
26
Section 5 Demonstration with Music
00:01:43
27
Section 5 Performance
00:01:34
28
Section 6 Explanation
00:02:50
29
Section 6 Teaching
00:05:42
30
Section 6 Footwork
00:03:01
31
Section 6 Demonstration with Music
32
Section 6 Performance
33
Section 7 Explanation
00:01:53
34
Section 7 Teaching
00:05:14
35
Section 7 Teaching Part II
00:02:01
36
Section 7 Footwork
00:03:41
37
Section 7 Student Demonstration with Music
00:02:13
38
Section 7 Performance
39
Section 8 Explanation
00:02:16
40
Section 8 Teaching
00:04:46
41
Section 8 Footwork
00:02:18
42
Section 8 Performance
00:01:31
43
Section 9 Teaching
00:04:12
44
Section 9 Footwork
00:02:26
45
Section 9 Footwork with Music
00:02:36
46
Section 9 Student Demonstration with Music
00:01:20
47
Section 9 Performance
00:01:16
48
Section 10 Explanation
00:02:10
49
Section 10 Teaching
00:03:43
50
Section 10 Footwork
00:02:42
51
Section 10 Student Demonstration with Music
52
Section 10 Performance
00:01:47
53
Section 11 Teaching
00:02:04
54
Section 11 Footwork
00:01:58
55
Section 11 Student Demonstration with Music
00:00:47
56
Section 11 Performance
57
Section 12 Teaching
58
Section 12 Footwork
59
Section 12 Student Demonstration with Music
00:00:45
60
Section 12 Performance
00:00:46
61
Section 13 Teaching
62
Section 13 Footwork
00:01:22
63
Section 13 Student Demonstration with Music
00:00:49
64
Section 13 Performance
65
Section 14 Teaching
00:04:00
66
Section 14 Footwork
00:02:37
67
Section 14 Student Demonstration with Music
00:02:21
68
Section 14 Performance
00:02:20
69
Full Performance
00:19:40
70
Varnam Suma Sayaka MP3 Download
out of 5
Cholkettu, the invocation rituals in mohiniyattam presented by Smitha Rajan. This carnatic composition pays homage to Sri Parvathi-Parameshwara and Devi Saraswathi. The learning of the Cholkettu represents a crucial epoch in a dancer's journey
It is an ode to Goddess Lalithambika. This keerthana is performed by Smitha Rajan, the granddaughter of Kalamandalam Kalyanikutty Amma.
Thillana represents the firth item of a Mohiniyattam performance. This is an original composition of Kalamandalam Kalyanikutty Amma and this dance video tutorial has been shortened by Smitha Rajan
Smitha Rajan takes us on a mystical journey in this Mohiniyattam performance. Composed by her legendary grandmother, Kalamandalam Kalyanikutty Amma, this padam Kanden Shyamala traces the bliss of encountering a divine being.
Dr Deepti Omchery Bhalla presents a new lecture series dedicated to Lord Ganesha in his child form. The popular ‘Bala Ganapathy’ of the Indian pantheon is majestically rendered in this work titled as ‘Paithal Ganapathy’.
Dr. Neena Prasad offers detailed analysis, demonstration, and advice on how students must appropriately approach Revati Raga in this Mohiniyattam Thillana. Demonstrations followed by lectures and explanations are the format followed in this course. The different movements of the dancer in the Thillana, the adavus, korvais, and mudras, are carefully explained.
Dr. Neena Prasad's teachings commence with an overview of the Swarajathi, elaborating upon its various facets. The Guru then teaches the students the Ananda Bhairavi Swarajathi, individual components of each part, and elaborates on the performance's technical aspects. This class simplifies the teaching process for learners by providing a complete version of the composition and student demonstrations for better understanding.
Performance of a gifted artist, Sunanda Nair sharing her artistry and grasp of Mohinyattam with grace, eloquent gestures and swaying movements.
This Bharatanatyam DanceLessons by Rama Vaidyanathan is subdivided into nine sections. Each part of Madhura ashtakam is individually introduced, beginning with detailed explanations by the teacher. Every word of the original verse is carefully explained. These are followed by demonstrations from the Guru and a complete performance.
Revisit the Navarasas, Nine Emotions that drive our day-to-day lives. Guru Rajashree Warrier’s original Bharatnatyam composition delves into the secrets of the human psyche. The ‘Navarasa Kauthwam’ is a dancer's exploration of the factors that influence every human's journey on Earth. The entire composition, with detailed lessons and a downloadable track, is exclusively available at NatyaSutraOnline.
Pushpanjali is a divine offering of flowers that is a mark of respect to the Gods, one's teachers and those who are witnessing the recital. Alarippu is a reference to the flowering bud, which utilizes every part of the artist's body. Rama Vaidyanathan guides us through its intricacies.
Learn Payalia Tarana Online, a Kathak Composition by Guru Pali Chandra. This composition, Payaliya Jhankar Mori is a combination of Hindu and Persian cultures. A thumri is introduced at the beginning of this Tarana.
Sreelakshmy Govardhanan introduces the viewer to her journey in Kuchipudi. She received these under the tutelage of the legendary Guru Pasumarthy Rattaiah Sarma.
Om Jayanti Mangala Kali is a special prayer in honor of Goddess Durga. Guru Pali Chandra presents the fortifying power of the Goddess, an amalgamation designed by a host of divine beings.
Bharatanatyam teachings and perfromance by Rama Vaidyanathan. Each part of Thiruvempavai is individually introduced, beginning with detailed explanations and teachings by the Rama Vaidyanathan. These are followed by demonstrations from the Guru and a complete performance at the end.
Learn Tamil Padam Aduvum Solluvaal demonstrated by Dr.Rajashree Warrier, set in Raga Sourashtram. This is a creation of Vaideeswarankoil Subbarama Iyer and is among his most famous works.
Rama Vaidyanathan explores the duality of Lord Shiva and Goddess Parvati, with a Bharatanatyam composition on their legendary form, the Ardhanareeswara.
Rama Vaidyanathan takes us on a special Bharatanatyam journey through the dual roles of Lord Krishna on Earth. On one hand, we are protected by his divine aura, while on the other, he is a relatable cowherd.
Rama Vaidyanathan introduces us to the despair of a lover in this Bharatanatyam composition. Our heroine involves the birds in the sky, and this piece focusses on her lamentations to them over her treatment by her divine lover.
Sujata Mohapatra gives an overview of Odissi Beginners Lessons. It contains decades of knowledge imparted by her mentor, Padma Vibhushan Guru Kelucharan Mohapatra.
Learn bharatanatyam composition by Rama Vaidyanathan set in Kalyani Raga and Adi tala, Saddu Madalu Bedavo Rangayya.... This padam focuses on an interaction between a gopika and Lord Krishna. The former requests the divine being to stop playing his flute at middle of the night and not to invite trouble by waking others.
Bharatanatyam exponent Smt. Rama Vaidyanathan presents an exclusive lecture series that focuses on a Thillana, originally attributed to legendary Carnatic violinist Padma Bhushan Lalgudi Jayaraman. Available only on natysutra online.
This class represents the second stage in the online Kathak series offered Guru Pali Chandra. This is a continuation of the beginner’s Kathak course available on NatyaSutraOnline.
Learn Begum Akhtar's famous Ghazal Woh Jo Hum Mein Tum Mein Qarar Tha. Kathak maestro Guru Dr Pali Chandra guides students through the various layers of this composition, exploring Begum’s nuanced take on love that is mature enough to accept not being acknowledged.
Dr. Rajashree Warrier focuses on how a student must interpret and elaborate the teachings of Abhinaya Darpana . The student witnesses hand movements, gestures, esoteric techniques, expressions, placement, and detailed revision of every essential Bharatanatyam skill required to excel in this field.
These classes are for absolute beginners to Kathak. Guru Pali Chandra aims at establishing the foundation among her disciples, and nudge them onto the path of becoming a full-fledged Kathak dancer.
Learn Bharatanatyam composition Bhogeendra Sayinam, a tribute to Lord Vishnu, seated atop the serpent Anantha or Adi Sesha. This Swati Tirunal Kriti was choreographed, presented and demonstrated by Dr. Rajashree Warrier
Poothana Moksham Kathakali Master Class by Shri Margi Vijayakumar. It showcases the attainment of moksha or liberation of Poothana, a demoness sent to slay Lord Krishna.
Rama Vaidyanathan explores the omnipresence of Lord Shiva in this Bharatanatyam composition. His guidance, strength, and perseverance are integral to his believers.
This Kathak online class by Guru Pali Chandra introduces a new Thumri Dagar Chalat, originally written by the legendary Guru Bindadin Maharaj of the Lucknow Gharana. Thumri's individual components - Shabdarth, Vyakhyarth, Sthayi bhav and Sanchari bhav are explained in detail.
Sri Sakala Ganadhipa Palaya Mam Anisham is a beautiful composition Choreographed by Sreelakshmy Govardhanan and composed by Dr. M. Balamuralikrishna. Set in Adi Tala, Arabhi Raga, each part of this composition is well explained by the teacher, and also it includes student demonstrations for better understanding.
Let us bring to life the eternal bond between Lord Krishna and Radha through an age old classic Kanha Main Tose Haari... Learn the storytelling techniques, performance-related pointers and the nuances of this choreography using three arms of Kathak - Kavit, Thumri and Gat-bhav.
गुरु पाली चंद्रा के मार्गदर्शन से जाने कथक को ऑनलाइन। अत्याधुनिक विकल्पों तथा नवीनतम तकनीकों से रचना की गई है इस ऑनलाइन कार्यक्रम को जो कथक की नृत्य शैली को सीखने और जानने की प्रबल इच्छा रखते हैं।
Guru Dr Pali Chandra shows how the varied moods and madness of Radha in the 12th prabandh, song Pashyati Dishi Dishi (Natha Hare Jagannatha Hare), of Jayadeva’s Gita Govinda can be presented in Kathak. Through Explanations, Interpretations, Teaching and Performance, she shows a range of choreographic moves, inspired by her reading of Natyasastra and Abhinaya Darpana, and also suggests improvisations .
The Yennadaina Bharatanatyam composition by Rama Vaidyanathan is a tale of an exasperated heroine at the end of her wits. Our fearless protagonist stands up to the object of her adoration, Lord Krishna, as she yearns to be the sole object of his attention.
These are brief profiles of the Gurus who form the bedrock of NatyaSutraOnline. Their journeys and passion are a lighthouse, eternally illuminating a path towards the revival of Indian art forms.
Kathak
Bharatanatyam
Kathakali
Mohiniyattam
Odissi
Kuchipudi
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